International Human Rights Art Festival - Documentary of Dixon Place Festival 2017

News Date 
Thu, 2018-01-04
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The documentary from the first International Human Rights Art Festival is finally complete!  Produced by award-winning (C-Span Studentcam) high school videographers Dalya Block and Kalina Gibson, it documents a bit of what we did -- and where we are headed with the Festival. Check it out here!

"Exhortations" published in North of Oxford

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North of Oxford, December 1, 2017

An excerpt from my "Letters to an Imaginary Friend" manuscript was published in the literary journal "North of Oxford."

 

EXHORTATIONS

 

Anyone who knows you well will know you as a hypocrite.

***************

"Exhortations" published in North of Oxford

News Date 
Fri, 2017-12-01
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An excerpt from my "Letters to an Imaginary Friend" manuscript was published in the literary journal "North of Oxford."

"Duck" reviewed in DC Metro Theatre Arts

News Date 
Tue, 2017-10-17
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Farid ud-Din Attar: The Conference of the Birds

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HowlRound, July 28, 2017

Farid ud-Din Attar: The Conference of the Birds published in HowlRound

The third in my series of examining how specific mystical thinkers -- in this case, the 13th century Sufi mystic Attar and his mystical allegory "Conference of the Birds" -- was published in "HowlRound."  This brings to four the number of articles in this series:

Farid ud-Din Attar: The Conference of the Birds published in HowlRound

News Date 
Fri, 2017-07-28
news image

The third in my series of examining how specific mystical thinkers -- in this case, the 13th century Sufi mystic Attar and his mystical allegory "Conference of the Birds" -- was published in "HowlRound."  This brings to four the number of articles in this series:

"Dietrich Bonhoeffer: The Cost of Discipleship" published in HowlRound

News Date 
Thu, 2017-07-20
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My second in the series of three posts about applying specific mystical ideas to the theatre was just published in HowlRound.  This series explores the ideas of three mystical thinkers (Chuang Tzu, Dietrich Bonhoeffer and Farid ad-Din Attar), and looks at how their philosophies can be applicable to theatrical work.

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